If you saw Taylor Swift’s performance at The Grammys this year, you will know what I’m talking about. The Grammys forbids the use of auto-tune or lip syncing. They also like pairing up artists of contrast or different eras. Putting Taylor Swift with a veteran performer like Stevie Nicks was simultaneous brilliant and stupid. Either the mastermind behind that arrangement had it in for Taylor or was stupid enough to believe that Taylor could actually hold her own. I love that the label issued a statement to the public defending Taylor’s out of tune singing as technical difficulties. Who on this earth would buy that? OMG! Anyway….I’m not here to talk about her….I digress.

Lady Gaga, love her or hate her, is the real deal. I know enough people connected to Lady Gaga to know that the tour was thrown together in minutes and was on the road virtually seconds after her songs were written and recorded. I know that ‘Teeth’ was being recorded in the studio in October and I saw the show in December. That’s almost unheard of. And, she has since completely redesigned the show to take it to Europe and is revamping it again to come back and tour the states as soon as she is finished in Europe. Every single penny she makes is put back into “The House of Gaga”, which from what I understand, is her own empire of set designers, fashion designers, producers and worker bees working in said house to constantly create and develop everything and anything to propel her music and her performances forward. This girl has a strong work ethic….and a drive that is very rare.

She has a very clear message which she unabashedly flaunted. She is entertaining. Her set is full of strong visuals, leaving no stone unturned. Costume after costume, costume within costumes. Even the piano was barricaded and designed to look like a broken down shack of rusty nails and drift wood, she had big black wings on her back and sat squatted on the piano stool by herself and played and sang a ballad really really well. I say that with enthusiasm because that is a big deal, especially with an artist who’s so young and whose music is so electronically driven. That girl can sing and play. I mean, she’s no Herbie Hancock, but she doesn’t need to be.

What blew my mind the most was the diversity of the audience. Sold out shows every night – yes. I know she’s got the gay vote, that goes without saying, so I expected a strong representation of the gay community. I also expected a strong presence of those under 21 years old, and I was not disappointed. What I didn’t expect in a million years was the presence of woman and men, both single and couples over 40…dressed to the nines – mardi-gras style. Mums and Dad’s with their kids, and not sitting down with their faces in their blackberry’s or waiting at the bar until it was all over, but dancing and singing and as into it as their children. Families dressed up like gaga. I’m serious. I’ve never in my life seen anything like it.

Gaga has wormed her way into the hearts of the insecure freak in many a demographic. If you were the wall flower in high school in 1975 or if you are the in-the-closet lesbian in junior high now, she is your ambassador and she knows it. Or maybe you just have a penchant for drama and dressing up, and if it’s as simple as that, she is your queen.

Ok…couple of criticisms. Had my friend Craig (who incidentally represents the queer vote) not called me and ordered me to take earplugs, I would have most likely bled to death in the isles or choked on my own vomit. Now, I’m not a light weight, I’ve been going to concerts since I was 12, and I’ve been in more rock bands than I can remember. I rarely plug my ears (I’m not proud of that, I should), but this was just offensive. It wasn’t that is was loud, it was loud and bad. Strong and wrong. Whoever does her sound should be fired. Distorted, bad levels, you name it. Horrid. There were times when I could only hear the drum loop and nothing else. I could hear the stomping of the feet on the stage and nothing else. Gaga struggled with the mic and the sound, and the show went on, but it was a black mark on the report card…that’s for sure.

Also, it wouldn’t hurt her to polish up her dancing or at least stop pretending she is a good dancer. She could finesse her in between song banter. It’s understandable though. Her rise to super stardom has been so incredibly fast that I think she is still learning to fill the shoes of the level she’s actually at. In a way it’s nice that it’s not so overly produced that it impersonal, but it’s definitely a few notches down from the type of production she is putting forward.

Yes…it was all very self indulgent. Yes…she is determined to be the biggest star in the world. But I’m sure we’ll see her put that celebrity to some use in time. Right now, I can’t imagine she has time for anything. She’s so busy grabbing hold of her constantly evolving and growing status. However she did pair with Cyndi Lauper recently to promote aids awareness, and I have faith that as she settles in to her new found mega stardom she’ll do more for her freaks. She’s a good Italian catholic girl after all.

Lady Gaga….an artist with a vision. An artist who is a woman and proud of it. An artist who will be around for a very long time and will never sway from her directive….world domination. Like it or not, she is here to stay.

The album, “The Best Is Yet To Come: The Songs of Cy Coleman”, was released September 15, 2009 on New West Records. It’s also on iTunes and various other internet sites. In his inimitable fashion, he completely re-arranged and produced the songs, making them fresh and at times, avant garde and unpredictable. Then, Dave chose to have different female artists perform songs. The production and new arrangements revived the lyrics and created a new indescribable genre in my opinion. It’s also some of the best singing I’ve ever heard.

Fiona Apple contributes two songs (her first new music in five years), alongside other artists such as Missy Higgins, Madeleine Peyroux, Jill Sobule, Nikka Costa, Sara Watkins and Patty Griffin, who sings The Best Is Yet To Come. It’s unlike any version you’ve ever heard of the song, and it’s Patty as you’ve never heard her before. This is what I’m talking about. Who would ever think of Patty Griffin to sing a song that is known predominantly as a jazz standard? It’s brilliant and it creates something unexpected. Something fresh.

Michael Perfitt recorded most of it, and various notable musicians played on it such as Jay Bellerose, Aaron Sterling, Mark Goldenberg, Benmont Tench, Lisa Coleman, to name a few, and of course Dave.

The Best Is Yet To Come, does the original songbook genre justice. I’m not talking about jazz as a broad stroke genre, I’m talking about vocal jazz, The Great American Songbook standard jazz. Know what I mean? This is how I want to hear it. Squeeze new life out of well known songs. Wake them up. Use instrumentation that is not typical. Anyway, you get the idea. It’s great. Really good for the ears and the soul.

Check it out!